This little reproduction from a booklet about Daumier caught my eye, because of the theme of it and because of the relative ‘clumsiness’ that appealed to me. It has the look of a first version of an idea, a rough sketch that was never realized, I really liked the idea that I could ‘finish’ a sketch by Daumier . I thought about the question ‘can you be so drunk that the table gets stuck to you?’. The book is in German and the work is titled Trunkenbolde, which means something like ‘boozers’ and I guess that is exactly what the image communicates. The size is 24,5 x 26,2 cm, the technique oil paint on paper, glued to wood and the work is mentioned as coming from the collection Roger Leybold. ( 1896-1970) This owner of an industrial brewery had a large collection of paintings, drawings, prints and letters by Delacroix, Daumier, Jongkind, Corot and Boudin. A certain ’Madame X’ is mentioned by auction house Drouot as the heir of the Leybold collection. It is possible that this work was auctioned on the 17th of November 1982 .

To start I copied the work by making a small etching, the printing plate on the left and the print on the right.

After this the man leaning on the table top shows up on three paintings of 1998. As a description of the individual works I used the abbreviation M.A. for Molino Alto, ( M.A. 11, M.A. 3 and M.A.1 are shown) a reference to the old watermill in Niguelas, Spain that we rented in the spring of 1998 for a period of three months from the Scottish poet Martin Bates. These works are made during this time.

This painting , M.A.1, was raffled during a national tv broadcast. In a programme called AVRO’s Kunstblik, a nice studio visit was filmed with the former director of the Arnhem Modern Art Museum Liesbeth Brandt Corstius as reporter.

After our return back to the Netherlands I made this painting, its title Nr 794, also not very creative and referring to the number of paintings I started on since moving to Eindhoven in 1987. Because you never can be sure if a work you start on will reach the endstage, there are missing numbers of destroyed paintings, mostly victims of complex transition periods). The work measures 130 x 200 cm and contains all the elements of the Works made in Spain, the ‘Daumier’-figure, the table with influences from Dutch genre tavern scenes, my then 3 year old first son drawing , the inn and the ‘fincas’ along the river with the olivetrees and the highway bridge in the direction of Granada spanning the valley. The painting was shown in an exhibition at Oele Gallery in Amsterdam September 1998

I will go into the Spanish period in later posts